Feature Pitch – Ben Bocquelet

I had always wanted it to be 2D, 3D and live action. In my mind that’s what makes the show distinctive. The Gorillaz videos were a big influence on me in animation school. I just loved the way they mixed their awesome designs with photos or films. It wasn’t the first time I’d seen animation mixed with live action though.

Windsor McCay had a show where he interacted with his cartoon dinosaur back in the 1900s and there have been landmark films like Who Framed Roger Rabbit, which blew my mind as a kid.

The technology now allows for this kind of approach on a series scale. It’s really exciting to be part of this, and also that Cartoon Network committed to making the show in mixed media, despite the challenge of the process.

It gives it a really unique look, which we hope, gives it an instant appeal. I also think the live action element adds to the scope of fantasy more than if the show were solely animation, by creating a possibility that the world might actually exist.

It excites the human mind to see the boundaries blurred between the real world and invented characters.

The Watterson’s’ house and the Robinsons’ houses were filmed in Vallejo, near San Francisco. It’s a place, which has the type of 1950s/1960s houses where you’d imagine a family sitcom to happen.

Ben Bocquelet [1]

In an interview Ben spoke about his influences and reasons for using mixed media and why he does it, it’s really interesting to see just how passionately he speaks about it and how it affects his art.

Ben hasn’t done a lot of other work – Gumball is his biggest and main success, but he is definitely one to watch for the future!


I love this 3D ape/monkey character and how it works/looks with the 2D characters:

Mixed media films that have served as some inspiration in this project:

Augmented Reality – crazy awesome animation

Caveirão by Guilherme Marcondes

Gorillaz – Music videos

JUNK is the multi-award winning short film produced at London animation studio Th1ng by house director Kirk Hendry in association with the UK Film Council. [2011]

Hair despair – Student film from Freddie Elsom and Giedre Kaveckaite mixing 2D Flash animation and 3D Maya animation and models.

Award winning short film

An experiment to combine traditional animation and timelapse photography to tell a story.

Mixed media is commonplace in a lot of films – life action and CGI animation go hand in hand in big budget films, but the more mixier you get, the less there is! I think that this is something that is slowly changing – as artists and creators realise audiences are ready for more visual experiences and unlikely clashing styles can work cohesively if used effectively. It does NOT have to look like a mess! I think the above examples help to represent the versatility of mixing your medias!

I remember watching something that was a normal 2D animated show, and for comic relief a Sock Puppet is used for a random character that pops up – from what i remember it was very funny. But these kinds of things are not completely uncommon, the mixed media is used as an aside instead of for the main. I think it could have been stop-motion now, either way it was hilarious! I think there is a possibility to utilise this comic relief character idea for Mr Benn as well!

Mr Benn Animated Film Reboot Words:




Feature Pitch – Pitch

The Amazing world of Gumball was created by Ben Bocquelet for Cartoon Network, it is about a young cat (Gumball) and his fish brother (Darwin). But its not the story that interests me, it is the style, the design and the look of the animation. It is not your ordinary animated TV show..

One unique feature of the series is its lack of stylistic unity. Characters are designed, filmed, and animated using different styles and techniques (stylised traditional animation, puppetry, photo-realistic CGI, stop motion, Flash animation, live action, etc.) [1]

This is one of the main reasons i have chosen this animators style, it is modern and cartoony – but it is also open to so much by using all kinds of animation and mediums, certain characters can reflect that, or certain worlds the characters enter into can. I like the realistic looking environments and the 2D and 3D characters together -the success of Gumball has shown that audiences (especially ones aimed at the same as Mr Benn age-wise) are not bothered by the contrasting styles.


I am going to be rebooting Mr Benn, an English children’s television series from the 1970’s, about a man from London who visits a fancy dress shop each episode, and then he exits through a magic door which takes him on an adventure (which like most children’s TV shows contains a moral – a lesson to be learnt and remember by the audience). Mr Benn’s animation in the 1970’s was really simple, less moving pictures and just pictures with narration over the top, but i am taking the idea from Mr Benn and using the Animation styles from The Amazing world of Gumball.

mr benn.jpg

The character design here is clearly very dated and in need to bringing up to date and making more visually appealing to audiences. Can he get away with still wearing a bowler hat in this day and age? I feel like he could, like James Bond or The Kingsman, they main character, the British gent; is so suave that he wears a bowler hat and suit when going to work, and he always carries a black umbrella. But he wears less formal attire when he is at home with the family.

Interesting things about Mr Benn:

  • Mr Benn was created by David McKee as children’s books.
  • In one of the original books Mr Benn dresses up as a convict in one of his adventures and encourages the inmates of the prison to decorate their cells. It was not made into a TV show as the BBC thought it was too controversial a topic for children.
  • In 2001 David McKee wrote a new story where Mr Benn becomes a gladiator.
  • The animation was narrated by Ray Brooks.
  • Mr Benn dressed up as a Gladiator, Cowboy, knight, Hunter, Clown, Balloonist, Wizard, Spaceman, Cook, Caveman, Zoo Keeper, Aladdin and a Pirate!
  • Mr Benn always takes a memento from everywhere he visits that he takes back home after his adventures.                                                                                                                        [2]
The main location in the TV series, the costume shop with the magic door and magic costumes that transport Mr Benn to magical lands. It would be very important to the movie as well and a wonderful location filled with amazing things to see – a bit like a Mr Magoriums Wonder Emporium – a visual treat for the eyes (and its kinda magic).  
Mr Benn ends up befriending a dragon when he is a knight – its always a happy ending with Mr Benn – lighthearted and moral story-lines, which makes sense with the demographic that watched it…

The intro for the animated series of Mr Benn shows the street that he lives on with the terraced houses and really gives an idea of location and time. The story for the film would have to be a little bit different than the television series, obviously, as they are made for much shorter length and with very few main characters. The movie would also have to have some conflict, a little bit more drama than the old animated show ever had.

This has some really good examples of the reasons why i will be using Ben Bocquelet’s style, it just works so well, looks so good and i thin it would work really well for Mr Benn.

Mr Benn is the perfect early animated TV show to reboot and make a film out of. Although it doesn’t have a huge cult following or anything, plenty of people fondly remember Mr Benn  – and i believe the is good enough to stand alone from its history and be interesting to new audiences. Think about it – A character that visits a costume shop and can then travel on adventures to other magical worlds! It has a very Dr Who feel really, and i think a travelling companion for Mr Benn would be good for the film version.

David McKee (Mr Benn creator) was asked some questions about what it was like to go back and make another Mr Benn book..

Easy? Not completely. When we visit old friends after some years apart, we see how they have aged and it shows us how we have aged. Mr Benn doesn’t age, but I do. To revisit him was to go back in my head to that point in my life when I made the films. A bit like finding myself at that age again. I think it disturbed one or two things in my mind. I did it with pleasure but also with some fear. [3]

A film was proposed for Mr Benn again – although it sounds like it was made with a more mature audience in mind (trying to cash in on that nostalgia money – which is one way to go, but the main audience for Mr Benn are children, and i believe they are the audience that should be targeted with this movie reboot..

Plans for a live-action feature based on David McKee’s 1971 animated children’s favourite were announced in early 1999. John Hannah was slated to star as the besuited, bowler-hatted occupant of 52 Festive Road, while Ben Kingsley was due to play the owner of the fancy dress shop whose changing room was a portal to adventure. The storyline was to chronicle Mr Benn’s search for lost love Monica McBride (Jane Horrocks), in what director Jevon O’Neill called “one man’s journey to fulfil his potential”.

But Mr Benn seemed doomed when the sponsoring UK Films Group collapsed. As if by magic, Erinfilm stepped into the breach in March 2000, promising a budget of £4 million. However, the green light was extinguished again in April 2001 and the project has since remained dormant.                                                                                                         [4]

I will be specifically adapting the first ever Mr Benn story – Red Knight, this is the synopsis for that:

In this very first episode, Mr Benn has been invited to a fancy-dress party. He dislikes parties, but enjoys dressing up, so he looks round the shops for a costume to wear, but everywhere he finds only ordinary everyday clothes. Turning into a small lane on his way home, Mr Benn comes across a costume shop where he chooses an outfit of red knight’s armour. Changing into the armour, Mr Benn passes through another door in the shop’s changing room and finds himself in another world. He stumbles upon a dragon, and at first thinks it is someone else in fancy dress. He soon realises his mistake. He learns that the dragon used to be the King’s pet, until an evil match-seller started a fire and made sure the dragon got the blame. Mr. Benn helps the dragon regain the King’s favour.                                   [2]
First ‘proper‘ Draft: Outline/Story Idea/Synopsis:

Mr Benn has a family now (unlike the source material) – a wife and two young kids (a boy and a girl) and he lives at 52 Festive road in London. Halloween is coming up and they are going to a big dress-up party, so they have to get some costumes, so Mr Benn takes his children to get some from a local costume shop that they drove by when they were lost the other day. Mrs Benn reminds Mr Benn that he must bring the children home in time for tea (I’m actually thinking about Hugh Laurie and Geena Davis, the parents in ‘Stuart Little’ when i think about their relationship dynamic and character).

The owner of the costume shop is a very strange man wearing a funny hat. The children try on costumes and  then go into the changing room and disappear – Mr Benn’s children are magically transported to another world and Mr Benn has to go after them even though he doesn’t fully understand the magic. Mr Benns is very worried for his children, but the shopkeeper is not so worried and explains it is a magic shop and when Mr Benn puts on costume he can travel to other worlds. Mr Benn is scared and annoyed (EMOTIONS) – did the shopkeeper put his children in danger? Mr Benn puts on a costume and goes after them! (The shop-owner is not evil – he just is mysterious and is allowing the characters to get into trouble and grow on their own  – so they learn a valuable lesson/ Mr Benn is spending too much time away from the family, working all the time (introduced at the beginning when he’s asked to go get costumes by the mom who is overrun and tired, he begrudgingly agrees, but over the course of the adventure he is closer to his kids and has a good relationship with them, he has also stopped caring about work more than anything and now his kids come first). This is the main lesson that he learns in the film.

He has to find his children, but hes just an ordinary working man? So he will have to step outside his comfort zone, for his family, which of course he will. The children were kidnapped and Mr Benn must rescue them, which he does – only when he has learnt his lesson does the shopkeeper magically return them back to the shop and congratulate them. They then leave without buying costumes, much closer and more together than they have ever been, they only want to go see mom and eat tea.

When Mr Benn finds himself in the fantasy land, there are dragons and magic. It turns out that the children have supposedly been kidnapped by a dragon, the same dragon that is destroying the kingdom – or so says the wizard. Mr Benn goes after the dragon alone, because all the bravest knights have disappeared when they went to fight it. Mr Benn is very scared and has to travel across the sea in a small boat, through a haunted forest where meets a funny ghost, and finally up the mountain to the dragons cave. He is ready to fight the dragon but learns that the dragon is not the problem, its the wizard! The dragon used to protect the kingdom but the wizard wanted the power for himself, Mr Benn finds all the knights that came for the dragon and his children and they go back to the castle on the dragons back to face the wizard. The wizard is powerful but they defeat him and he is thrown into jail. They hear a voice in the sky – the costume shopkeeper, and they find themselves transported back to the shop. The shopkeeper asks if they had a good time? Mr Benn just smiles and says he is sure they will be coming back soon for another adventure! The film ends with the family at home, all happier and together and lovely.

These days, my advice for anyone who wants to pitch scripts or ideas to studios is this:

Don’t pitch. Make it yourself then create an accompanying trans-media fan experience online. [8]

Pitching your idea is not always the easiest thing to do, for many different reasons, so planning and getting your pitch the way you want it is important. The quote above goes on to say you don’t make the whole thing, just enough, a short that introduces characters and stuff.

You are much more likely to get your project in front of an audience (and that audience would likely include industry folks) if you just make it yourself and get it out there.

I think this advice is great in theory, but pitching is not going to go away and sometimes we are pitching for things that we would not create on our own (business/corporate jobs etc).

If you end up with an original, innovative, engaging, quality project and about 1,000 true fans the studios will probably come to you. Just ask Axe Cop.                         [8]

As a fan of the Axe cop comics i knew it was discovered and are a big success story in part to their online following. The story is written by a kid and the comic artist and his kid brother sit down and come up with everything  then he draws it. Really if you make something, and then it becomes popular – you’re going to be onto a winner and its more likely a studio will produce it!

So popular now there are action figures now! I think this alone highlights the great character design of Axe cop – seriously check it out if you haven’t its crazy awesome!

Something that should be remembered when writing the pitch is that the goal of every single screenplay and movie, novel, story, and ultimately every work of art is to elicit emotion from the audience. The art should move us emotionally in some way. When pitching you must provide the buyer with a positive emotional experience, and convince them that the story will create a bigger emotional response/experience. [9]

A list of key story elements that should be included in your pitch:

  • Protagonist/hero – Mr Benn
  • The hero’s compelling desire – To rescue his children
  • Location/settings – London high-street, costume shop, family terraced home, fantasy worlds.
  • The conflict – Losing his children to a magical world and having to travel through the unknown to rescue them.
  • Antecedents (previously successful films/novels that are similar in genre/ plot elements and or audience demographic – Is there a market for the film?   –  Chitty Chitty bang bang/ Finding Nemo/ The Incredibles/ Peter Pan/ Narnia.
  • Style – Mixed media elements, etc.
  • Target Audience/ Demographic – Family (young children to parents)

Character designs for Mr Benn and his children:


[1] https://en.wikipedia.org/wiki/The_Amazing_World_of_Gumball











Finished Zombie Arm Animation

Severed Zombie Arm – 3D Maya Animation 1:00 Min – Matthew Pearson 2016


My animation is just the zombie arm, and its pretty limited even then, i only got so much actual animation done in time, but then i was able to edit it together and by rendering some different angle i was able to create a final video that is 1 minute long with a couple of repeats. The arm can be seen lurching forwards, and although it is far from perfect, i am really happy that i was able to do what i have done. I feel as though now i would be able to model and rig and animate in Maya. The arm itself came out nicely, although the environment was severely lacking, i tried to keep it simple but it ended up probably being too simple. The lighting was a bit experimental as well, too dark initially, then perhaps too much intensity. but it all added to the dark feel of the video. I think the sounds i used in the film were appropriate for the content, and they add to the atmosphere, which makes the audience wonder what is happening, why the arm is severed and crawling along the ground, why there is gunfire and explosions – a future war perhaps where the dead are not all completely dead – or a future war with cyber super soldiers who are reaaaaallly hard to kill! 😛

I am now able to create a model, rig it properly and then animate it. After, i am able to successfully render the video (which i did a few times!) and then compile the video in Adobe Premier. So all in all it has not been really unproductive and i have learnt a lot, and i am looking forward to using Maya more in the future and developing my 3D skills!

Below is a screenshot of the animation in Premier. The purple blocks are the video and the green is audio (pink are titles). There was a lot of layering of audio and adding effects -audio gains and fades etc.


I think that this project has been a great  introduction to modelling more complex objects and the rigging is fascinating and makes me wonder what other kinds of characters i can bring to life in the future!



Maya VIDEO! – Zombie Arm Continued

I was finally able to finish rigging and readying my zombie arm, so tried to animate it a bit. I was able to make it look like it was lunging forward a little bit, and i decided to render it so that i could see what it would look like. It ended up being too dark and was a good opportunity for me to sort out all the little things before, like increasing the lights intensity;so now the mood of my finished animation should be dark and grungy and should match the zombie look a bit better.




The blue circles are the things i made which makes it easier to move the model and specific parts around when you are animating.


A render of the arm, it looks all shiny and weird. The red and greeny fingers give the arm more character in my opinion, and makes you wonder why it has green on its finger – from sticking its finger into something? EWWW! Or maybe more likely its rotting and dying and green from infection. Rather gross, but it is a reanimated zombie arm!


The green thing below is the camera, which i moved around the arm, making for a more interesting shot, there is a little zoom action as well!

Capture5Capture6Capture7This is an early render of the arm in the environment, it looks like it is bright enough, but this is the one that came out really dark before i increased the intensity and size of the light. Notice that the light moves across behind the camera, like the sun (not that its meant to be the sun, more just movement of light/shadows).


You can really produce some amazing results with Maya and i really have learnt a lot about how to model, rig, set attributes and animate.


This video is what i have managed to animate so far.It may not be a lot but its a zombie arm lunging forwards and i am over the mood with it. I then went and increased the light intensity and size to make the scene brighter – both feature in the video. More to come…